Friday, October 18, 2019

HISTORY OF MOTION PICTURES Research Paper Example | Topics and Well Written Essays - 1500 words

HISTORY OF MOTION PICTURES - Research Paper Example Their accomplishments, pioneering efforts and new techniques arguably led the way in the movement, thus making these two directors arguably the most influential filmmakers of this period. According Taylor (1964), the French New Wave movement started with Roger Vadim, a young man in his late 20s, was married to starlet Brigitte Bardot, and was allowed to direct a film starring Bardot, and this 1956 film, titled Et Dieu crea la femme became an enormous critical and commercial success (Taylor, 1964, p. 201). This made producers more willing to gamble on younger directors, and the New Wave movement was born in France. Taylor states that the influential figures in this movement include directors Jaques Rivette, best known for his â€Å"strange, elusive, haunting film Paris Nous Appartient (Taylor, 1964, p. 201); Jacques Demy, known for Lola a film which is known for its genuine feeling, wit and charm. Screenwriter Marcel Moussy is also mentioned by Taylor as being influential in the movement, as screenplays for Les Quatre Cents Coups, Tirez sur le pianist and St. Tropez Blues displayed â€Å"the sort of free-wheeling youthful grace and freshness so many more pretentious films have striven for and signally failed to achieve† (Taylor, 1964, p. 202). Documentarians Agnes Varda, who produced documentaries that were reflections on her own temperament and Jean Rouche, who displayed mise en scene and cinema verite techniques in his documentaries about African subjects, were also considered influential in the movement (Taylor, 1964, p. 202). Marcel Hanoun, who, as a television director and cinematographer, â€Å"carried Bresson asceticism to its logical conclusion with a subtlety and restrained power†, is yet another influential figure of this wave (Taylor, 1964, p. 202). Another cinematographer, Raoul Coutard, lent his expertise with colors and backgrounds to films by Trouffaut and others (Taylor, 1964, p.

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